He outlived all his fellow post-World War Two blues greats – Muddy Waters, Howlin’ Wolf, Jimmy Reed, Lightnin’ Hopkins and John Lee Hooker – to see the rough music born in the cotton fields of the segregated South reach a new audience.
“Being a blues singer is like being black twice,” King wrote in his autobiography, “Blues All Around Me,” of the lack of respect the music got compared with rock and jazz. “While the civil rights movement was fighting for the respect of black people, I felt I was fighting for the respect of the blues.”
King went from touring black bars and dance halls in the 1940s and ’50s to headlining an all-blues show at New York’s Carnegie Hall in 1970 and recording with the likes of Clapton and U2 in the ’90s.
King had a deep, resonant singing voice and, despite having what he called “stupid fingers,” an immediately recognizable guitar sound.
His unique style of trilling the strings with a fluttering left-hand vibrato, which he called it “the butterfly,” helped shape early rock. He delivered stinging single-note licks that brimmed with emotion and were copied by white rock guitarists including Jeff Beck and Bonnie Raitt.
In 2003, Rolling Stone magazine’s list of the 100 greatest guitarists of all time ranked King at No. 3, behind only Hendrix and Duane Allman.
For eight facts about BB King.
(Reporting by Curtis Skinner in San Francisco- editing by John Stonestreet)
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